Chapter 12: 1982
Life Events | Products | Music | Television | Movies | Styles | Printed Matter | World Events | The Resulting Art
Life Events of 1982
—
TO THE WEST… RIVENDELL
Early in January 1982, my cousins Jimmy and Scotty came to visit us in Dewey, Arizona, along with their parents. The three of us boys were always full of ideas, and this time we decided to make a movie with our trusty Super 8 camera. After some brainstorming, we settled on a story about three adventurers searching for Rivendell, the mythical elven city from Tolkien's Middle-earth. We threw ourselves into costume design, raiding my mom's stash of old towels to create cloaks and tunics. Even my Big Jim action figure got a role, dressed up for a dramatic stunt where he would fall off a cliff.
The next morning, we set out with our camera and supplies, hiking to Box Canyon in the hills near our house. The rugged landscape, with its towering rock formations and narrow paths, became the perfect backdrop for our adventure. There, we filmed our masterpiece, TO THE WEST… RIVENDELL, capturing scenes of exploration, danger, and triumph. Each of us took turns directing and acting, bringing our youthful imaginations to life through the lens of the camera. It was a day filled with creativity, laughter, and a shared sense of accomplishment—one of those moments of childhood magic that stays with you forever.
Once the footage was developed, the real magic began as I edited the film with my little splicer and viewer, a treasured find from a yard sale. Sitting at my desk, I carefully pieced together the scenes, ensuring the story flowed just as we had envisioned during our filming in Box Canyon. To give our movie a professional touch, I created the titles at the beginning of the film using techniques I had learned in art class at Mission Junior High School, inking and painting them on acetate for a polished, cinematic effect. For the end credits, I went with hand-drawn lettering, inking them directly onto paper for a more personal, artistic feel. I also created three illustrations of action scenes—one for each of our characters—by projecting key moments from the footage onto paper using our film projector and tracing them out. These illustrations were featured in the credits, highlighting each of our roles and adding a unique flair to the production. It was a labor of love and creativity, turning TO THE WEST… RIVENDELL into a true collaboration of youthful imagination and effort.
The final touch was syncing the Super 8 film to a cassette tape where I had recorded the theme from Ralph Bakshi’s Lord of the Rings soundtrack album. I carefully planned it so the audio would play perfectly in time with the visuals. Using the trick I had learned from the Super 8 studio test film of Adam-12 that we received from Universal Studios in 1977, I included an audible beep at the start of the cassette. This beep acted as a cue to synchronize the tape with the projector, ensuring the music lined up with the action on screen. The cassette itself came from my Aunt Linda, Jimmy and Scotty’s mom, who had brought it home from her work in the medical field. The music elevated the experience, transforming our little adventure film into something that felt truly epic to us, and every viewing was made more magical by the immersive soundtrack.
Arizona Sounds Album Cover Submission
Sometime in 1982, I submitted a pen-and-ink illustration titled Castle KDKB to KDKB's Arizona Sounds album cover contest. The piece depicted a man gripping the hilt of a sword that transformed into a six-string guitar, standing behind a stone castle formed from the letters "KDKB." Hidden within the stone shadows and cracks were the words “My Dreams Lie West,” inspired by a Led Zeppelin lyric. Unfortunately, I did not make the cut for the cover.
My first finished drawing was leaned against my bedroom wall, ready for submission, when an accident involving the door knocked a shelf loose, tearing the artwork. Heartbroken after pouring so much effort into the piece, I cried to my mom, who allowed me to stay home from school to recreate it. I worked tirelessly throughout the day, creating a second version that ultimately surpassed the original. While I rarely revisit the same artwork, this experience taught me that revisiting artistic challenges can lead to even greater results. Generally, I resist reworking ideas or creating preliminary sketches, as there are just too many ideas and not enough time to present them all. However, there have been some exceptions in doing the same artwork more than once, as you will eventually see in upcoming chapters. Time is precious, and I prefer to focus on creating new pieces, but this rare experience demonstrated the value of perseverance when circumstances demand it.
Products
Music
Missing Persons
In 1982, American pop and country music saw a vibrant mix of crossover hits and genre-defining tracks. In pop, Toto dominated with "Africa," blending rock with world music influences, while The Human League’s "Don’t You Want Me" highlighted the growing popularity of synth-pop. Michael Jackson also released "Thriller," setting the stage for a pop revolution.
In country, Willie Nelson and Waylon Jennings scored big with "Just to Satisfy You," continuing the outlaw country movement. Alabama also emerged as a dominant force in country music with "Mountain Music," blending traditional country with Southern rock elements, appealing to both country and pop audiences.
Juice Newton also had major crossover success with hits like "The Sweetest Thing (I've Ever Known)," and Kenny Rogers continued to lead the charge in country-pop crossover with "Love Will Turn You Around," bridging both genres. This year showcased the fluidity between pop and country, with both genres embracing new sounds while continuing to attract mainstream audiences.
Rainbow, Straight Between the Eyes
Listen to Straight Between the Eyes on YouTube here.
Television
TV Programming Overview of 1982
In 1982, American television offered a dynamic mix of beloved favorites and innovative new programming. Sitcoms like MASH*, Three’s Company, The Jeffersons, and Taxi remained audience staples, while newer entries like Family Ties brought fresh humor and relatable family dynamics to the screen. Cheers also premiered that year, initially struggling in the ratings but destined to become one of the most iconic sitcoms of all time. Prime-time soap operas such as Dallas, Dynasty, and Falcon Crest captivated viewers with their high-stakes drama, family power struggles, and cliffhanger-filled storylines, cementing their place in evening television.
Action-adventure and crime dramas also maintained their popularity, with shows like Magnum, P.I., starring Tom Selleck, and Hill Street Blues, known for its gritty, serialized portrayal of police work, drawing large audiences. Miniseries and TV movies were significant in 1982, with productions like The Blue and the Gray showcasing the format’s ability to tell epic, multi-night stories. Game shows, including The Price Is Right, Wheel of Fortune, and Family Feud, remained staples of daytime programming, offering lighthearted entertainment for families across America. Meanwhile, MTV, launched in 1981, was starting to reshape viewing habits by popularizing music videos as a new form of cultural entertainment, particularly among younger audiences.
Saturday morning cartoons, such as Scooby-Doo, Where Are You! and The Smurfs, continued to be an integral part of children’s weekend routines. Sports programming also maintained its massive appeal, with events like Super Bowl XVI drawing record audiences and solidifying football’s place as a major cultural phenomenon. Together, these varied programs reflected the diverse interests of American viewers, with 1982 marking a year of both innovation and enduring favorites that defined the television landscape.
Movies
In 1982, American cinema witnessed a landmark year with films that would go on to become classics across multiple genres. E.T. the Extra-Terrestrial, directed by Steven Spielberg, touched audiences worldwide with its heartwarming story of friendship between a young boy and an alien, becoming one of the highest-grossing films of all time. Blade Runner, Ridley Scott’s visually stunning sci-fi noir, offered a dark, philosophical vision of the future that influenced the genre for decades. Tootsie, a comedy starring Dustin Hoffman as an actor posing as a woman, captivated audiences with its humor and commentary on gender roles. An Officer and a Gentleman became a major hit with its romantic drama, while Poltergeist thrilled audiences with supernatural horror. Meanwhile, Tron introduced groundbreaking computer graphics, giving audiences an early glimpse of digital effects in filmmaking.
Here is a list of some popular movies from 1982:
E.T. the Extra-Terrestrial
Blade Runner
Tootsie
An Officer and a Gentleman
Poltergeist
Tron
First Blood
Fast Times at Ridgemont High
Gandhi
The Dark Crystal
These films captured a variety of genres, from sci-fi and horror to comedy and drama, each pushing boundaries and bringing fresh perspectives. The year 1982 left a lasting impact on the cinematic landscape, producing beloved classics that continue to resonate with audiences today.
Styles
Fashion Trends:
Off-the-Shoulder Sweatshirts - Inspired by Flashdance, this casual yet chic look gained popularity.
Neon Colors - Bright, bold hues were everywhere in fashion and accessories.
Leg Warmers - A fitness-inspired trend worn with or without workout gear.
Acid-Wash Jeans - Faded, distressed denim became a must-have.
Leather Jackets - Both punk and glam rock aesthetics made this a staple.
Designer Sneakers - Brands like Nike and Reebok started gaining mainstream traction.
Oversized Tops - Loose, comfortable shirts paired with tight pants or leggings.
Fingerless Gloves - Popularized by musicians like Madonna and other New Wave icons.
Statement Belts - Wide belts with big buckles became a signature accessory.
Sweatbands and Headbands - Worn for both athletic and casual looks.
Hairstyles:
Big Hair - Volume and layers ruled, often achieved with hairspray and teasing.
Perms - Tight curls remained popular for adding texture and bounce.
Feathered Hairstyles - Inspired by Farrah Fawcett, still a dominant look.
Punk-Inspired Haircuts - Mohawks, shaved sides, and brightly dyed colors.
Bangs - Thick and teased bangs became a major statement.
Pop Culture Fads:
Rubik’s Cube Craze - Still popular, with competitions and merchandise expanding.
Smurfs Merchandise - Based on the animated series, toys and collectibles were in demand.
E.T. Mania - Inspired by Spielberg’s E.T. the Extra-Terrestrial, toys, and memorabilia flooded the market.
Cabbage Patch Kids Pre-Launch Buzz - Anticipation for the dolls began.
Trapper Keepers - School binders with colorful designs and Velcro closures were status symbols.
Toys and Games:
Atari 2600 - Still dominating the home video game market with new releases.
Rubik’s Snake - A follow-up to the Rubik’s Cube craze.
He-Man and the Masters of the Universe - Action figures and the animated series gained popularity.
Care Bears - First introduced as characters for greeting cards, leading to toy lines.
Simon - The electronic memory game remained a favorite.
Music and Entertainment:
Michael Jackson’s Thriller - Released in late 1982, it became a cultural phenomenon.
New Wave Music - Artists like Duran Duran, The Human League, and A Flock of Seagulls gained prominence.
MTV - Continued to revolutionize music with music videos as a visual art form.
Joan Jett’s “I Love Rock 'n Roll” - A chart-topping anthem that resonated with rebellious energy.
Rocky III Soundtrack - Eye of the Tiger by Survivor became iconic.
Lifestyle Trends:
Aerobics Craze - Jane Fonda’s workout videos boosted the fitness movement.
Jogging - Running as a hobby continued to gain popularity.
DIY Crafting - Friendship bracelets, macramé, and latch-hook rugs were common hobbies.
Recycling Awareness - Growing interest in environmental sustainability.
Microwave Ovens - Increasingly common in households for convenience.
Technology and Gadgets:
Commodore 64 - A home computer that became accessible to the public.
Sony Walkman - A must-have for personal music listening on the go.
Boom Boxes - Portable stereos were a symbol of urban culture.
Digital Watches - More widespread and affordable, often with calculator functions.
VCRs - Gaining traction as a home entertainment device for movies and shows.
Sports and Leisure:
Roller Skating - Still a favorite activity, especially at rinks.
Football - Super Bowl XVI drew record-breaking viewership.
BMX Bikes - Popular among kids and teens for stunts and recreation.
Fishing and Camping - Outdoor hobbies continued to be popular.
Yoga and Meditation - Wellness practices were gaining mainstream attention.
Cultural Touchstones:
E.T. the Extra-Terrestrial - A blockbuster movie that captured hearts worldwide.
Blade Runner - Cult classic science fiction exploring dystopian themes.
Tron - A groundbreaking film for its innovative use of CGI.
The Color Purple - Alice Walker’s novel became a literary milestone.
Arcade Games - Pac-Man, Ms. Pac-Man, and Donkey Kong were cultural phenomena.
Printed Matter
World Events
1982 was marked by significant world events, including the Falklands War between Argentina and the United Kingdom. The conflict began in April when Argentina invaded the British-controlled Falkland Islands, prompting a two-month military campaign that ended in a decisive British victory. In the Middle East, Israel invaded Lebanon in June, targeting the Palestine Liberation Organization (PLO) and leading to a prolonged conflict that reshaped the region’s political landscape.
In the United States, the Equal Rights Amendment failed to achieve ratification, marking a significant setback for the women’s rights movement. Meanwhile, the global economy continued to grapple with inflation and unemployment, lingering effects of the oil crises of the 1970s that impacted many nations.
On a brighter note, 1982 saw the premiere of E.T. the Extra-Terrestrial, directed by Steven Spielberg. The film became a cultural phenomenon and one of the highest-grossing movies of all time, capturing the hearts of audiences worldwide. These events highlighted the mix of geopolitical tensions and cultural milestones that defined the early 1980s.
The Resulting Art
Fig. 12.001
TO THE WEST… RIVENDELL, January 1982.
Presentation: Three men seek the fabled city of Rivendell. Only two of them reach it.
Medium: Super 8 film, silent.
Notable art techniques:
Vaseline on the lense for the shot when Big Jim falls.
Acetate animation cels for logo and text.
Stop motion animation to show a moving red dashed-line on a map.
Inspirations:
The concept of a seeker climbing a rocky cliff could have been from the gatefold artwork of the album IV by Led Zeppelin.
The concept of using Rivendell as the location could have been from the song Rivendell by RUSH.
Comments:
AI music added November 27, 2024. Listen to the complete song here.
Filming location was a place called Box Canyon near where I lived at the time, in Dewey, Arizona. [Map it.]
Three pieces of artwork that were used in the film are by J. R. R. Tolkien, and were from the book The Artwork of Tolkien [Research actual title]. Another was from Ralph Bakshi’s The Lord of the Rings soundtrack album, inner gatefold.
Film frame screenshots:1
Video content description:2
Designed free-hand, using Super 8 movie camera.
View Super 8 film reels:3
View soundtrack cassette:4
Ye L.HUNT Production, January 1982.
Presentation: A sword pierces through a scroll on which is written “Ye L.HUNT Production,” with text below the scroll that reads “In Cooperation With J. and S. Waller.”
Medium: Ink and acrylic on acetate.
Notable art techniques:
Animation cel inked with crowquill on the front and hand painted on the back.
Inspirations:
Lord of the Rings animated film by Ralph Bakshi.
Comments:
J. and S. Waller are my cousins Jimmy and Scotty Waller.
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
FAR ACROSS THE MISTY MOUNTAINS (Lettering), January 1982.
Presentation: Hand-painted lettering over an illustration of mountains and lightning.
Medium: Acrylic on acetate.
Notable art techniques:
Animation cel painted on the front.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
The artwork that the acetate overlays is by J. R. R. Tolkien, and was from the book The Artwork of Tolkien [Research actual title], or the cover of The Silmarillion.
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
TO THE WEST… RIVENDELL (Lettering), January 1982.
Presentation: Hand-painted lettering over an illustration of Rivendell in a valley and by a waterfall.
Medium: Ink and acrylic on acetate.
Notable art techniques:
Animation cel inked with crowquill on the front and hand painted on the back.
Inspirations:
—.
Comments:
The artwork that the acetate overlays is by J. R. R. Tolkien, and was from the book The Artwork of Tolkien [Research actual title].
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
Middle-earth Map, January 1982.
Presentation: A hand-drawn map of part of Tolkien’s Middle-earth.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
Copied from the map in the book The Hobbit by J. R. R. Tolkien.
Comments:
The original drawing was covered in clear shelf paper so that a dry erase marker could be written on it and then wiped off.
This photo of the artwork comes from three frames of the Super 8 film TO THE WEST… RIVENDELL and edited together. It has been enhanced to see better detail in the art.
Drawn free-hand.
Photo reference:
Seeker 1, January 1982.
Presentation: Two men look astonished as they look over a precipice.
Medium: Ink on paper.
Notable art techniques:
Pen and ink.
Line art.
Inspirations:
The concept of a seeker climbing a rocky cliff, possibly from the gatefold artwork of the album IV by Led Zeppelin.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art. This was originally projected and traced from a frame of the film. Photo reference:5
Projected and traced.
Seeker 2, January 1982.
Presentation: A medieval-dressed man climbs up a cliff and looks astonished in an action pose.
Medium: Ink on paper.
Notable art techniques:
Pen and ink.
Cross-hatching.
Inspirations:
The concept of a seeker climbing a rocky cliff, possibly from the gatefold artwork of the album IV by Led Zeppelin.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art. This was originally projected and traced from a frame of the film. Photo reference:6
Projected and traced.
Seeker 3, January 1982.
Presentation: Two medieval-dressed men struggle to climb up a cliff. One of them reaches down to help the other, who is hanging from a rock.
Medium: Ink and watercolor on paper.
Notable art techniques:
Cross-hatching.
Stylized rock structures and shading.
Inspirations:
The concept of a seeker climbing a rocky cliff, possibly from the gatefold artwork of the album IV by Led Zeppelin.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art. This was originally projected and traced from a frame of the film. Photo reference:7
Projected and traced.
Seeker 3 Costume Design, January 1982.
Presentation: A medieval-dressed man.
Medium: Costume Design.
Notable art techniques:
Included a replica costume on a Big Jim action figure (bottom right image).
Inspirations:
—.
Comments:
This collage of film frames showcasing the costume comes from the Super 8 film TO THE WEST… RIVENDELL. They have been enhanced to see better detail in the costume.
My cousins’ designed their own costumes. Note Jimmy’s mustache drawn on with eyebrow pencil.
Most of the material for our costumes was from old towels that my mom allowed us to cut up for the project. My pants were a pair of athletic sweats, dark blue with yellow stripes down the sides. The boots were many strips of towel tied around my legs.
Designed free-hand.
THE END 1982 (Lettering), January 1982.
Presentation: The words “THE END 1982” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
STARRING IN ORDER OF APPEARANCE (Lettering), January 1982.
Presentation: The words “STARRING IN ORDER OF APPEARANCE” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
JAMES WALLER (Lettering), January 1982.
Presentation: The words “JAMES WALLER” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
SCOTT WALLER (Lettering), January 1982.
Presentation: The words “SCOTT WALLER” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
LARRY HUNT (Lettering), January 1982.
Presentation: The words “LARRY HUNT” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
FILMED BY (Lettering), January 1982.
Presentation: The words “FILMED BY” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
WRITTEN BY (Lettering), January 1982.
Presentation: The words “WRITTEN BY” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
FILMED IN THE BRADSHAW MTNS. (Lettering), January 1982.
Presentation: The words “FILMED IN THE BRADSHAW MTNS.” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
DEWEY AZ. (Lettering), January 1982.
Presentation: The words “DEWEY AZ.” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
STUNTS BY BIG JIM (Lettering), January 1982.
Presentation: The words “STUNTS BY BIG JIM” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
The letter “N” is styled after the Led Zeppelin font on their album IV.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
DIRECTED BY (Lettering), January 1982.
Presentation: The words “DIRECTED BY” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
TITLES BY (Lettering), January 1982.
Presentation: The words “TITLES BY” written in a stylized way.
Medium: Ink on paper.
Notable art techniques:
Crowquill pen.
Inspirations:
—.
Comments:
This photo of the artwork comes from a frame of the Super 8 film TO THE WEST… RIVENDELL. It has been enhanced to see better detail in the art.
Drawn free-hand.
Castle KDKB, 1982.
[No image available.]
Presentation: A man hold the hilt of a sword which transforms into a six-string guitar. He stands behind a stone castle made out of the letters KDKB.
Medium: Ink drawing.
Notable art techniques:
Cross-hatching.
Use of crowquill.
Inspirations:
—.
Comments:
Drawn as a submission for the KDKB radio station’s Arizona Sounds album cover.
Hidden within the stone shadows and cracks were the words “My Dreams Lie West,” influenced by a Led Zeppelin song.
Read story about the artwork here.
Drawn free-hand.
Gandalf, 1982.
[No image available.]
Presentation: Gandalf with his arms extended, holding his staff.
Medium: Lead pencil and acrylic.
Notable art techniques:
—.
Inspirations:
The character was from Ralph Bakshi’s The Lord of the Rings.
Comments:
Painted on the window covering above my bed.
Drawn free-hand.
Title, 1982.
[Image. Remember to add caption.]
Presentation: Describe the subject of the art.
Medium: Type.
Notable art techniques:
Ex: Cross-hatching.
Inspirations:
Possibly this, or definitely this (Include footnote or link).
Comments:
Viewpoint and memories about the art.
Projected and traced. Drawn free-hand.
© L.HUNT
THERE’S MORE TO THIS STORY!
The fully illustrated, printed book Finding My Way In the Art World: Book Twelve, 1982 is available HERE.
Finding My Way In the Art World Soundtrack: Book Twelve, 1982 is available HERE.
The Songs:
FIGURES CROSS-REFERENCED WITH ARCHIVAL NOTES
This section lists every figure published in this book alongside its corresponding archival note number for research and catalog reference. Archival Note numbers refer to the permanent catalog maintained by L.HUNT.
(SAMPLE PLACEHOLDER)
Book 01: Finding My Way In the Art World, 1966-1971
Figure 01.001 – AN-21.004
Early sketch of abstract form, 2003
ARCHIVAL NOTES FOR BOOKS 1–12
This section contains cataloged references to all figures, uncut home movie QR codes, and supporting materials spanning the first twelve books of this series. Each entry is labeled with a unique archival number for cross-reference in the index.
TO THE WEST… RIVENDELL - 1982 Super 8 Film
This folder contains the uncut digitized video, super 8 reel photos, and screenshots of frames from the film.
CONTINUE READING THE BOOK:
Chapter 13: 1983
Life Events | Merchandise | Music | Television | Movies | Styles | Printed Matter | World Events | The Resulting Art
Video content description of TO THE WEST… RIVENDELL, 1982.
0:00 - Ye L.HUNT Production logo along with the text In Cooperation With J. and S. Waller.
0:05 - FAR ACROSS THE MISTY MOUNTAINS text overlaying Tolkien’s illustration from the cover of The Silmarillion.
